You get the same near zero latency monitoring/processing as mentioned before, but it's processed on the interface and not on your computer. The real stand out future of this interface is in it's processing and plugins. While you're at 192kHz, you get roundtrip latency as low as 3ms, and output latency around. The A/D converters offer all you could possibly need by recording 24-bit up to 192kHz. When I tested the noise floor, I measured it at around -110dB, which is very impressive at 100%. You're getting up +65dB of gain, which is fully capable of driving even the most gain hungry microphones (like the SM7b). The overall performance of this interface is amazing. If you would like to learn more about the functions of this interface, this is covered in the video review. The buttons and dials on the face of the interface also have nice tactile feedback and feel sturdy as well. The XLR and 1/4" inputs all feel firmly attached and do not wiggle around at all.
It has an all aluminum chassis, and a foam/rubber bottom to keep the interface from sliding around your deck. The build quality of this interface is great. Input Impedance: 9.2K Ohms, 5.4K Ohms (with +48v engaged) If you are interested in this interface, it will set you back $500.00 on Amazon What's In the Box I have done no post processing to the audio, but it was boosted ~6dB in Final Cut Pro to make it easier to listen to. Today I am reviewing an amazing new interface from Universal Audio, the Universal Audio Arrow.ĭuring this review, I have the Rode NT1 connected directly to the Arrow, recording at 24-bit, 48kHz.
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